Proofs of Let’s Not Get Used to This Place, Meg Stuart/Damaged Goods, designed with Sean Yendrys
Proofs of Let’s Not Get Used to This Place, Meg Stuart/Damaged Goods,
designed with Sean Yendrys
Earth’s Widening Girth (And Other Bereavements), Cora Wöllenstein,
designed with Janis Gildein
Earth’s Widening Girth (And Other Bereavements), Cora Wöllenstein,
designed with Janis Gildein
A Brief History of Bubble Letters for Source Type
Vanity Initials in Iʼm Serious, Iʼm Funny, designed with Otso Peräsaari
126 individual die-cut bookmarks for [imagine: a bookshop]
Interjection, 128 pages, 96 × 148 mm, 2022
Interjection, 128 pages, 96 × 148 mm, 2022
Interjection, 128 pages, 96 × 148 mm, 2022
Interjection, 128 pages, 96 × 148 mm, 2022
Interjection at Index Art Book Fair, MX
The Moving Couch Cinema #3: Whatʼs Opera Doc?
Coronafuga, Ewa Majewska, designed with Sean Yendrys
Coronafuga, Ewa Majewska, designed with Sean Yendrys
Coronafuga, Ewa Majewska, designed with Sean Yendrys
Coronafuga, Ewa Majewska, designed with Sean Yendrys
Movement Research Performance Journal #58/59, designed with Sean Yendrys
Movement Research Performance Journal #58/59, designed with Sean Yendrys
Movement Research Performance Journal #58/59, designed with Sean Yendrys
Protocol 10
title graphics for Tomasz Robak
DRAMA. The Retrospective Reader
Diploma Supplement, for the graduating year 2023 MA in Graphic Design
at the Estonian Academy of Arts, Tallinn
Diploma Supplement, for the graduating year 2023 MA in Graphic Design
at the Estonian Academy of Arts, Tallinn
Diploma Supplement, for the graduating year 2023 MA in Graphic Design
at the Estonian Academy of Arts, Tallinn
Diploma Supplement, for the graduating year 2023 MA in Graphic Design
at the Estonian Academy of Arts, Tallinn
Visiting Abriss, for Urban Fragment Observatory
Visiting Abriss, for Urban Fragment Observatory
Visiting Abriss, for Urban Fragment Observatory
Website for Possible Scenarios
Website for Possible Scenarios
EKA GD MA Library Stamp 20–22, with Otso Peräsaari
Building a shelf for the library of EKA GD MA, with Otso Peräsaari
Last Edit Was Seconds Ago
Last Edit Was Seconds Ago
Last Edit Was Seconds Ago
questioning reproduction
Paul Outerbridge, Jr. Men’s Scarves, 1924
[imagine: a bookshop], furniture by Manuel Raeder, photo by Kristin Krause
[imagine: a bookshop]
Artwork for Wardrobe’s single New Malaise
Let’s Not Get Used to This Place, Meg Stuart/Damaged Goods,
edited by Julie De Meester, Astrid Kaminski, Jeroen Versteele,
designed with Sean Yendrys, photo by Julie De Meester
Let’s Not Get Used to This Place, Meg Stuart/Damaged Goods,
edited by Julie De Meester, Astrid Kaminski, Jeroen Versteele,
designed with Sean Yendrys, photo by Julie De Meester
INTERJECTION by Björn Giesecke
Tallinn/Berlin, 2022, 128 pages, 9.6 x 14.8 cm, 97 copies, English
€20
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Interjection is a collection of various sorts of texts, observations, ideas, quotes, lyrics revolving around and trying to define a practice. Written, designed and printed by Björn Giesecke.
Each dust jacket shows changing silver foil embossings from the archive of the bookbinding workshop at the Estonian Academy of Arts in Tallinn.
“I chose this word headlining the following texts as I thought about the form of an insert, an errata, an injection point—interjection sounds familiarly close. A word picked up while browsing the library of the master’s program in Graphic Design at the Estonian Academy of Arts, Tallinn. In the midst of improvised structures is a publication in small dimensions turned on its head, I’m pulling out to read …”