Let’s Not Get Used to This Place, Meg Stuart/Damaged Goods,
edited by Julie De Meester, Astrid Kaminski, Jeroen Versteele,
designed with Sean Yendrys, photo by Julie De Meester
Let’s Not Get Used to This Place, Meg Stuart/Damaged Goods,
edited by Julie De Meester, Astrid Kaminski, Jeroen Versteele,
designed with Sean Yendrys, photo by Julie De Meester
Proofs of Let’s Not Get Used to This Place, Meg Stuart/Damaged Goods, designed with Sean Yendrys
Proofs of Let’s Not Get Used to This Place, Meg Stuart/Damaged Goods, designed with Sean Yendrys
Vanity Initials in Iʼm Serious, Iʼm Funny, designed with Otso Peräsaari
126 individual die-cut bookmarks for [imagine: a bookshop]
Interjection, 128 pages, 96 × 148 mm, 2022
Interjection, 128 pages, 96 × 148 mm, 2022
Interjection, 128 pages, 96 × 148 mm, 2022
Interjection, 128 pages, 96 × 148 mm, 2022
Interjection at Index Art Book Fair, MX
The Moving Couch Cinema #3: Whatʼs Opera Doc?
Coronafuga, Ewa Majewska, designed with Sean Yendrys
Coronafuga, Ewa Majewska, designed with Sean Yendrys
Coronafuga, Ewa Majewska, designed with Sean Yendrys
Coronafuga, Ewa Majewska, designed with Sean Yendrys
Movement Research Performance Journal #58/59, designed with Sean Yendrys
Movement Research Performance Journal #58/59, designed with Sean Yendrys
Movement Research Performance Journal #58/59, designed with Sean Yendrys
Protocol 10
title graphics for Tomasz Robak
DRAMA. The Retrospective Reader
Diploma Supplement, for the graduating year 2023 MA in Graphic Design
at the Estonian Academy of Arts, Tallinn
Diploma Supplement, for the graduating year 2023 MA in Graphic Design
at the Estonian Academy of Arts, Tallinn
Diploma Supplement, for the graduating year 2023 MA in Graphic Design
at the Estonian Academy of Arts, Tallinn
Diploma Supplement, for the graduating year 2023 MA in Graphic Design
at the Estonian Academy of Arts, Tallinn
Visiting Abriss, for Urban Fragment Observatory
Visiting Abriss, for Urban Fragment Observatory
Visiting Abriss, for Urban Fragment Observatory
Website for Possible Scenarios
Website for Possible Scenarios
EKA GD MA Library Stamp 20–22, with Otso Peräsaari
Last Edit Was Seconds Ago
Last Edit Was Seconds Ago
Last Edit Was Seconds Ago
questioning reproduction
Paul Outerbridge, Jr. Men’s Scarves, 1924
[imagine: a bookshop], furniture by Manuel Raeder, photo by Kristin Krause
[imagine: a bookshop]
Artwork for Wardrobe’s single New Malaise
Björn Giesecke is a Berlin-based designer collaborating with artists, architects, curators, institutions, printers, and friends on books, websites, identities, typefaces, posters, exhibitions, and other works.
In 2023, the studio run a temporary bookshop [imagine: a bookshop] focusing on publications which are hard to get, without circulation or representation through a bookshop or gallery, i.e. small print run, no isbns, artist books. Further appearances: MissRead, Die Epilog, Silent Green.
- Artworks for Wardrobe
- Drama, an interpretation of Rogers (Boston)
- Who’s That Talking in the Library? (working title), edited by Björn Giesecke, Otso Peräsaari
- 2024 BOM DIA Editorial Board, Berlin
- 2023 [imagine: a bookshop], Berlin
- 2023 Info on Books, Berlin
- 2019 DZA Druckerei zu Altenburg
- 2018–2019 NODE Berlin Oslo
- EKA GD MA Tallinn, MA
- Hochschule für bildende Künste Hamburg
- Universität der Künste Berlin, BA
- Universität Rostock, BA
- 2024 Let’s Not Get Used to This Place, Meg Stuart/Damaged Goods, edited by Julie De Meester, Astrid Kaminski, Jeroen Versteele. les presses du réel (with Sean Yendrys)
- 2024 Earth’s Widening Girth (And Other Bereavements), Cora Wöllenstein
- 2023 Movement Research Performance Journal #58/59, edited by Joshua Lubin-Levy, John Arthur Peetz. Movement Research °
- 2023 Coronafuga, Ewa Majewska, edited by Eva Birkenstock, Nikola Dietrich, Viktor Neumann. Distanz Verlag °
- 2022 Last Edit Was Seconds Ago, edited by Marge Monko. EKA
- 2022 Interjection. self-published (printedmatter.org)
- 2022 DRAMA. The Retrospective Reader
- 2021 Reisestipendien 2021: Karimah Ashadu, CONNY, Nina Kuttler, Fion Pellacini, Nina Zeljković. Textem *
- 2020 In Pursuit of Venus, Lisa Reihana. MARKK Hamburg (with NLF-Team)
- 2018 Protocol Magazine 10
- 2024 Will L Ever Read This?, in: Publishing Anecdotes, edited by Roman Karrer. Air Berlin Alexanderplatz
- 2024 A Brief History of Bubble Letters, edited by Meg Miller, Ben Schwartz. Source Type
- 2022 Default. No Frills, in: Graphic Design Is (…) Not Innocent, edited by Ingo Offermanns. Valiz
- 2022 Read / Write / Edit History, in: Going Somewhere, edited by Lieven Lahaye. EKA GD MA
- 2024 Estonian Academy of Arts, Berlin DE
- 2023 Gerrit Rietveld Academie, Amsterdam NL
- 2022 Estonian Academy of Arts, Tallinn EE
- Bauhaus Museum Dessau
- Cora Wöllenstein
- Deutsches Literaturarchiv Marbach
- Distanz
- Florian Idenburg/SO-IL
- Freie Universität Berlin
- Haus der Kulturen der Welt
- James Simon Galerie
- Kristin Krause
- Laurens Maria Bauer
- les presses du réel
- MARKK Hamburg
- Meg Stuart/Damaged Goods
- Montez Press
- Movement Research New York
- NLF-Team
- NODE Berlin Oslo
- Otso Peräsaari
- Possible Scenarios
- Regina Holzkamp
- Source Type
- Tell A Vision
- Textem Verlag
- Tomasz Robak
- Universität der Künste Berlin
- Urban Fragment Observatory
- Wardrobe
- * with JMMP – Julian Mader Max Prediger
- ° with Sean Yendrys
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INTERJECTION
Tallinn/Berlin, 2022, 128 pp., 9.6x14.8 cm, 97 copies, English
€20 (final copies), order through bjoerngiesecke@gmail.com
Interjection is a collection of various sorts of texts, observations, ideas, quotes, lyrics revolving around and trying to define a practice. Written, designed and printed by Björn Giesecke.
Each cover shows changing silver foil embossings.